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Some geospatial data on this website is provided by geonames.org. Please try again.Please try again.Please try again. His real name? May be I will tell you later. He’s got a way with women. Girls call him a charmer.Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. Register a free business account To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. The loss of the Seven-Hour War is still fresh. In the shadow of a rising Combine fortress known as the Citadel, residents of City 17 learn to live under the rule of their invaders. But among this scattered population are two of Earth's most resourceful scientists: Dr. Eli Vance and his daughter Alyx, the founders of a fledgling resistance. In the years since, you've continued your clandestine scientific activity—performing critical research, and building invaluable tools for the few humans brave enough to defy the Combine. Every day you learn more about your enemy, and every day you work toward finding a weakness. Rummage through shelves to find a healing syringe and some shotgun shells. Manipulate tools to hack alien interfaces. Tear a headcrab off your face and throw it out the window. VR was built for the kind of gameplay that sits at the heart of Half-Life. Half-Life: Alyx supports a variety of play environments, locomotion methods, and input devices. http://lorione.com/userfiles/dmv-motorcycle-manual-nj(1).xml epe 2 manual, epe 2 manual transmission, epe 2 manual transfer switch, epe 2 manual pdf, epe 2 manual download, epe manual, epe manual updated march 2018, epa manual, epa manual 17, epa manual 608, epa manual 2750, epa manual online, epa manual sw-846. If you don’t yet own any VR hardware, now's the time. Headsets support different sets of features, so the experience will vary between them. Half-Life: Alyx was built hand in hand with Valve Index, which is the highest fidelity option on the market, but the game works great with Vive, Rift and Windows Mixed Reality too. Check out the different options to choose which one is right for you. It just appears in your Steam Library. Hammer, Valve’s level authoring tool, has been updated with all of the game's virtual reality gameplay tools and components. While chapters are being published, the soundtrack will be available for streaming on Spotify and Apple Music, and for download on Steam Music. Once the entire soundtrack has been released, it will become available on all major music streaming and download platforms. For people (like Minami) with a limited background in electricity, this can be like trying to decipher spells from an ancient tome. People experienced in electronics shouldn’t have too much trouble, but even they are bound to eventually run into technical jargon that they haven’t seen before. One of the main morals of Episode 2 is to “Please Read the User’s Manual.” This is important not only for understanding how to use the power supply, but also for figuring out what you do and don’t know about the product. DC power supplies emit actual electrical energy, meaning that any guesswork or assumptions made during operation can lead to serious danger. This is a very important pitfall to avoid. As Naoto mentions, “electronic experts are not necessarily power supply experts.” It’s common to hear many engineers refer to DC power supplies simply as “boxes.” It’s safe to say that most engineers involved in the development and design of application circuits use power supplies as a ready-made tool. They often don’t know much about the power supply’s interior (circuits), and don’t care as long as they can output the voltage and current required for their tests. http://www.siblom.ru/files/upload/dmv-motorcycle-manual-oregon.xml I think most engineers would agree on this. Why do you we need so much variety. Any power supply will do as long as the power capacity if sufficient, right. Higher end products come in different shapes, sizes and textures, but it’s hard to think this would be considered a priority for commercial equipment. Are all the manufacturers just doing this for fun? This misconception is brought forth by customers who think that all power supplies are the same, but in reality just don’t know enough about them. The reason for this sheer variety is because all power supplies are different. In this episode we present the concepts of “circuit type” and “range” as basic precursors for selecting the proper DC power supply suitable for your application. Actually, there are many more subdivisions based on the operating characteristics and features, but it is most important that you first understand these two concepts. Next we have the different “modes.” This concept is not necessarily related selecting the proper power supply, but rather to basic knowledge that is essential when operating your power supply. “Constant Current Mode” is a particularly tough nut to crack. The content will gradually increase in difficulty, but we hope that you continue reading. The content will gradually increase in difficulty, but we hope that you continue reading. It is a generally accepted standard that editors should attempt to follow, though it is best treated with common sense, and occasional exceptions may apply. Any substantive edit to this page should reflect consensus. When in doubt, discuss first on the talk page. Shortcuts WP:MOSTV MOS:TV The following is a style guide for those who edit Television -related articles under Wikipedia:WikiProject Television. Remember that Wikipedia is foremost an encyclopedia and that articles therefore should try to be prosaic instead of lists of arbitrary information pulled out of TV.com. Articles should be verifiable and establish notability. http://gbb.global/blog/carlton-cpa12kh-manual Please cite your sources wherever possible. Your articles should be written from an out-of-universe perspective. Remember, this is only a guide, and may change depending on Wikipolicy or participant consensus.The former has the advantage of continuing to work in case the disambiguation suffix is changed or removed from the article's title.For the most current guideline and expanded examples, refer to that page.However, if said section contains plot or episode summaries, it should ideally be as high up the page as possible, since Wikipedia uses plot information as context for understanding the real world information to follow in the article. This is the same setup used on WikiProject Film articles, which have a similar structure as television articles.All parameters are not meant to be used on every article, as some are not relevant to many television articles. As well, flag icons should not be used for countries in the infobox.Failing that, a home media cover may be used. If a show has multiple intertitles throughout its run, the one most representative of the show should ideally be used; the intertitle does not need to be updated each time a new version is used. Other options include an episode-specific title card or home media cover (if the episode received an individual release), or a screenshot of a significant moment or element from the episode. The latter may only be used if it meets the Non-free content criteria, i.e., (typically) if it is required to illustrate the object of explicit, sourced analytical commentary, and where that commentary is in need of a visual support to be understood. All genre classifications throughout the article, including in the lead, should be reliably sourced and comply with Wikipedia's due weight policy and represent what is specified by a majority of mainstream reliable sources.If singularly defined, it should be identified in the opening sentence. http://mimamastortillas.com/images/compliance-code-manual-handling.pdf If the nationality is not singular or cannot be supported by appropriate citation, omit the information from the introductory sentence and cover the different national interests later, where these can reliably be referenced.It is a satirical parody of the middle class American lifestyle epitomized by its titular family, which consists of Homer, Marge, Bart, Lisa, and Maggie. The show is set in the fictional town of Springfield, and it lampoons many aspects of the human condition, as well as American culture, society as a whole, and television itself. The appropriate length of the lead section depends on the total length of the article. Information summarized in the lead should always be given due weight, so if an article has twice as much information on writing the series as it does filming it, the lead should also emphasize the writing.Therefore, this section should be the first in an article, or as close to the start as possible. All articles should contain a few sentences in the lead to summarize the overall storyline, generally done via a non-copyrighted logline or preview summary.Avoid minutiae like dialogue, scene-by-scene breakdowns, individual jokes, technical detail, as well as any information that belongs in other sections, such as actors' names. Overly detailed summaries are unencyclopedic and summaries copied verbatim from other sources can risk a breach of US copyright law. Furthermore, plot summaries may not be copied from elsewhere unless their license is compatible with Wikipedia use. Also note that Wikipedia's content disclaimer and guideline on spoilers is that all of an episode's important events should be outlined without censoring details considered spoilers, and without disclaimers or warnings.Any content that is analytical, interpretive or evaluative should not be in the plot summary, unless it is necessary to clarify an unclear or contentious plot point, in which case it must be accompanied by a secondary source. If appropriate, these articles could instead include a prose plot summary of no more than 500 words per season (such as Scouted ) instead of an episode table, but an article should not have both an episode table and a prose summary. If the plot summaries are moved to a separate list of episodes (such as with The Blacklist ) or to individual season articles (such as with Monk ), then the plot summary at the series article should be replaced with a simple overview or premise section that allocates around 100 words per season (such as a logline for each season in non-copyrighted language). This may lead to articles about long-running series having quite long premise sections; it is highly recommended that these be cut down, as this should be a brief overview that avoids redundancy with the more detailed plot summaries that have been split off. Individual season articles should use either episode tables with no more than 200 words per episode (such as Smallville (season 1) ), or a prose summary of no more than 500 words, not both. Episode articles should have a prose plot summary of no more than 400 words. This will likely be enough for such shows as news programming or talk shows. However, some non-scripted reality series, for example, may require similar summaries as scripted series, in which case they should follow the guidelines noted in the paragraph above.Example: Mutant X (TV series); see also Frasier Crane example below Follow correct syntax when compiling lists. List items in MediaWiki cannot contain line breaks, as they create accessibility problems. Style should be consistent throughout a given list, and examples include:To avoid redundancy, use only one method for delivering this information. It may be more appropriate to use a character list for series where an actor portrays several characters. New casting information for forthcoming characters should be added to the bottom of the list, with their position readjusted if necessary based on the method defined above. An actor or character may simply have a guest role across several episodes, rather than a recurring story arc throughout the show. If reliable sources cannot adequately distinguish between recurring or guest roles, then local consensus should determine their status.For unscripted shows where cast are referred to in a program by a stage name or first name only, that name should be used in episode descriptions, but their full proper name (where available) should be used in cast lists. In subsequent sections dealing with real-world information, their surname should be used. Only cast members who have been part of the main cast for at least one season should be included. If a program has a separate article about casting, the table should only appear in that article or in the parent article but not both. A separate cast table for recurring cast can be included in articles listing characters and cast but should never be included in parent television series articles. The key is to provide real-world context to the character through production information, without simply re-iterating entertainment websites such as IMDb.Given that album covers are generally visually similar to posters and other material for a series, season or episode, having cover images for the album is considered extraneous. If an album is notable enough for a stand-alone article (see notability guidelines for albums ), one should be created, and an album infobox with a cover image can exist in the new article.Not all television shows will have information on each of these elements.For example, it should not simply list crew members, film locations, or dates of events (e.g. David Nutter was an associate producer) but instead be relevant in context (e.g. John and James Smith left their roles as executive producers in 2007 after a falling out with the studio, with Susan Doe taking over for the series' eighth season. Doe would leave after one year so that she could produce a new show for the network.)Most themes are implied rather than explicitly stated, regardless of whether their presence is the conscious intent of the producer, writer, or director. This information may be more applicable to a series or a season article than to an individual episode article, although episode articles may contain such information if available.This can include: the original network or streaming service of release in the country of production (i.e. the British network for a British series such as Doctor Who, or the American and British networks for a co-production such as Sherlock ); a change in network throughout the run, such as with Futurama; start and end dates; and discussion of technical data such as picture and audio format, when it is accompanied by critical commentary. Days or timeslots are not inherently notable, but if covering a series that switches these during its run, it may be helpful to note them for each season. Any syndication deal can also be noted.Editors are encouraged instead to add noteworthy foreign broadcasts, if reliably sourced. These can include: broadcasts in primarily English-speaking nations such as the United States, Canada, United Kingdom, Australia and New Zealand; special cases such as an American series airing its finale first in France; or a mass international distribution deal, such as Netflix acquiring the international rights for Riverdale and Designated Survivor. If reliable sources exist for English broadcasts in other countries, a talk page discussion should decide whether these are notable.Listing of every episode with a commentary track or deleted scenes is discouraged — this type of information can be readily provided by any sales vendor. Instead, focusing on special featurettes that discuss something unique about the season would be appropriate.Given the information available, it may be beneficial to combine this information with physical home media information, rather than having separate sections for each.Reviews should preferably come from global media outlets (such as the Associated Press, Reuters, Canadian Press ), major newspapers (such as USA Today, Toronto Star, The Times ) and major entertainment publications (such as TV Guide, The A.V. Club, The Hollywood Reporter, Variety, Entertainment Weekly ). These reviews can either critique the show, or comment on its impact. They should not just be descriptions of the episodes, and preferably should not exceed two or three sentences per critic, so as not to apply undue weight to any given reviewer.Non-descriptive claims do not provide the reader with the context necessary to understand why the reviewer liked or disliked an episode. If a review only contains such claims, without providing any rationale and examples to back up their opinions, then the review, in most circumstances, should not be used in the article. Reviews from the show's country of origin are recommended, though evaluations from several English-speaking territories are desirable. Be careful when searching for reviews, and make sure they are coming from professional reviewers, and not simply a fan of the series. In the case of the general public, we use ratings to determine the popularity of a show, as it would be extremely difficult to find an accurate representation of fan opinion. Review aggregation websites such as Rotten Tomatoes or Metacritic are citable for data pertaining to the ratio of positive to negative reviews; caution should be exercised when using aggregator scores that combine original reviews with reviews from later dates, or where reviews of selected episodes are averaged to form an incomprehensive season or series score. Unless the ratings of all episodes are below one million viewers, viewership should be presented in tables or templates as being rounded to the nearest million (for example, 2,653,000 should be written as 2.65). Ratings should only be included from the program's country of origin or where it debuts, unless viewership is particularly notable in another territory and can be reliably sourced.In order to present a global perspective, it would also be beneficial to the article to find international reception. Any awards tables should follow WP:ACCESSIBILITY.It can typically consist of marketing and merchandising, adaptations to other media (novels, comics, video games, etc.), or spin-off series.Find the structure that works best for the article in question; regardless of whether you use these headers, the information that they discuss is important to establishing an article with real world context.What qualifies as essential varies based on the nature of the work. Where facts change at different points in a story or series, there may be no appropriate in-universe information at all to add. By contrast, the average reader is probably not going to know who every member of Chloe Sullivan 's family is, so it would not be essential to list them all. On the other hand, the average reader probably knows who Lois Lane is, and listing her as Chloe's cousin would be essential to understanding the character.If the image in the infobox clearly shows a black female, then listing the race and sex of the character would be redundant; this is regardless of the fact that the show the character appears on happens to contain characters that appear female but are really male.The subsequent paragraphs should be filled with generalized information on the character itself: characteristics, influences in popular culture, and anything else that summarizes the character's importance. Quatermass appeared in three influential BBC science fiction serials of the 1950s, and returned in a final serial for Thames Television in 1979. A remake of the first serial appeared on BBC Four in 2005. The character also appeared in films, on the radio and in print over a fifty-year period. Kneale picked the character's unusual surname from a London telephone directory, while the first name was in honour of the astronomer Bernard Lovell. Quatermass is an intelligent and highly moral British scientist, who continually finds himself confronting sinister alien forces that threaten to destroy humanity. In the initial three serials he is a pioneer of the British space programme, heading up the British Experimental Rocket Group.Images in the body of the article could consist of concept designs for the character, behind-the-scenes images, and any other image that has critical commentary adjacent to the image, which requires an image to better understand what is being said.If the character has only appeared on the one television show, and no other media, then the section of the title could be what is represented above, or something similar (e.g. Character storyline). Instead, try and summarize major events that occur with the character.Instead consider the key, holistic events that happen to the character across multiple episodes, tying in with major events of the actual show. It is still a good idea to provide episode names inline or episode citation references to help with verification of the content. In other shows like sit-coms where there is little to no continuity between episodes, then one should write about characters from the perspective of the entire show.If the actor portraying the character had to wear some form of make-up, or body prostethics, then this is the place where you would detail the work that went into giving the character their specific appearance. If essential to understanding the character, you could include a description of their physical appearance (not the same as describing the work that went into creating their physical appearance). Not every character's physical appearance is noteworthy, so use your best judgement. Information for this section will typically come from secondary sources, like scholarly journals analyzing the character or the show, or television critics. It could also come from the creative team of the show.A character might be deemed to be a hindrance to the show because of poor writing, or poor acting; on the other hand, the character could be deemed important to the show for the very opposite of reasons. Information on how the character has progressed throughout the series, or how they were portrayed would also be important aspects to consider.This section deals with how a television character reaches outside his or her respective show, and becomes part of popular culture in some fashion. Analyses should be backed by reliable sources and not just by personal observations.The image should be uploaded and include an appropriate fair use rationale to comply with Wikipedia policies. Ideally for episode lists, this image will be the title screen from the series, or the typeface logo of the series name. For character lists, an image showing the whole cast, or most of the series regulars, is useful at the top of the article, while an image for every individual character is generally not appropriate, unless the amount of critical commentary on the character's appearance warrants an illustration. When offering such commentary, cite the sources of the commentary in addition to the source of the image, for example in the thumbnail of the image, in the paragraph commenting on the image or both. Additionally, multiple non-free images should not be used within a list article. The first season consisted of twenty-seven episodes, the second season was twenty-four episodes long and preceded by two specials that gave a retrospective look at season one, and previewed the upcoming second season.It is the result of a collaboration between Square and Disney Interactive Studios. Kingdom Hearts is a crossover of various Disney settings based in a universe made specifically for the series. The series features a mixture of familiar Disney and Final Fantasy characters, as well as several new characters designed and created by Tetsuya Nomura. In addition, it has an all-star voice cast which includes many of the Disney characters' official voice actors.There are few playable characters in the games, though there are numerous characters that are able to join Sora's party as computer controlled members. The majority of the characters were introduced in the first game, Kingdom Hearts. Several new characters were introduced in the sequel, Kingdom Hearts: Chain of Memories, which also featured alternate versions of previous characters created from Sora's memories. The third game, Kingdom Hearts II, added more Disney and Final Fantasy characters as well as introduced new antagonists.There are various ways to create the episode table, refer to the list of featured episode lists to find the table that best represents that article you are creating.The series overview table should be placed where you would expect to find information about specific episodes. If a program's episode list is at the main article, the series overview should be presented at the top of the episode list.Sourcing or reproducibility is crucial for accuracy, and to help other editors quickly respond to numerical vandalism. Since some users have large monitors, overviews that span the user's entire screen are not useful. Colors must conform to the color guideline, which attempts to make content accessible for the visually impaired, such as readers with colorblindness. Once established, colors that meet that guideline should not be changed arbitrarily without discussion. Such data can quickly overload a simple table and are not germane to our understanding of the series. Home media release information is best suited within their own section on the List of episodes article or main article. Once a trend has been established, it should not be changed arbitrarily without discussion. These lists are often the first stepping stone for season articles, but generally lack the amount of real world information (e.g. production, themes, etc.) that a season article has. They may contain some awards or a reception section, but they are generally a list of information pertaining to that respective season.These separate lists should include a full lead, as noted above, and follow the same guidelines laid out here as they will be evaluated as stand alone articles.The information regarding the renewal of the series should be added to the article's lead, depending on when and what info is revealed. An example is the lead from List of Person of Interest episodes, when the series was renewed for a fourth season in March 2014 with an air date that had not yet been announced:Their unique brand of vigilante justice attracts the attention of two NYPD officers, Joss Carter ( Taraji P. Henson ) and Lionel Fusco ( Kevin Chapman ), whom Reese uses to his advantage as he investigates persons of interest.Once a scheduled premiere date has been announced, the information between the two reference tags above may be changed to indicate the scheduled start, as seen here:If the series was also released on VHS or Laser disc, name the section Home video releases instead and note the VHS releases with the DVD and Blu-ray information. Expand the table to include a column for VHS release date, if it is different from the DVD and Blu-ray releases. How this is presented is up to the editors of the article; feel free to look over any featured list, or featured article to find a presentation of releases that is appropriate for your article. Please cite the sources for the release information using citation templates, such as the company website showing release information or the DVD, Blu-ray, VHS or Laser disc itself.Per that splitting guideline, a split should occur when an article reaches 50kB to 60kB of readable prose. Readable prose will be highlighted in yellow. Because of episode table coding, episode summaries are not highlighted nor counted in this number. To assist editors, an episode summary of approximately 200 words (see WP:TVPLOT above) creates an estimated 1kB of readable prose.However, additional content usually exists on a series parent article, so it is recommended that this guide be applied after determining the size of readable prose for the rest of the article. For example, an article with readable prose listed at 15kB, that has an episode list of 15 episodes, would be at approximately 30kB of readable prose. That would generally not be appropriate for splitting, regardless of how many seasons those 15 episodes encompass. An article that is 40kB of readable prose, not factoring in the episode table, would most likely require splitting as the main page is sufficiently large to justify the split. A List of Episodes page would need a threshold closer to 70kB to 80kB (approximately 70 to 80 episodes). There should always be real world content to accompany any additional split that is not simply a duplication of the main page's content (e.g., reception specifically for that season, or that episode; production information for the season or the episode), or duplication of the season page's content (e.g., an episode article that contains 1 or 2 reviews, and used the overall production information about the season that isn't specific to any one episode). Skryť